Way to be totally emo and enigmatic, Romeo. Here's he's completely infatuated with Rosaline. When he's not daydreaming about Rosaline in his room, He's moping around in a grove of "sycamore" trees, where those who are sick amour (sick with love) tend to hang out (1.1). The thing is, Rosaline has absolutely no interest in Romeo, but he pursues her anyway. Maybe he's not in love with Rosaline as he is obsessed with the idea of being in love— Show
These are pretty big words coming from a teenager. All this abstract language—love as "smoke," as "fire," as a "sea," as "madness"—suggest that maybe Romeo knows more about love from books than, you know, actually being in love.
Romeo admits that Rosaline has vowed to remain "chaste" like "Diana," the goddess of virginity and hunting. In other words, Rosaline has sworn off boys and sex, which means that Romeo has no chance of winning her heart. What's interesting about this passage is that Romeo sounds a whole lot like a typical "Petrarchan lover." Petrarch, by the way, was a fourteenth-century Italian poet whose sonnets were all the rage in Renaissance England. In fact, Shakespeare's own collection of Sonnets are, in part, inspired by Petrarch's love poetry, which was written about "Laura," a figure who was as unavailable and unattainable as Romeo's current crush (Rosaline). Petrarchan poetry happens to contain a lot of metaphors that equate the pursuit of love with hunting and/or battle. In this passage, Romeo says that Rosaline is well "arm'd" against the "siege" of his love and "Cupid's arrow," which is an elaborate way to say that Rosaline is physically and emotionally impenetrable. Act 1, Scene 2Romeo
Romeo uses religious language to talk about Rosaline Act 1, Scene 4Mercutio
Romeo and Mercutio describe love in violent and painful terms. Act 1, Scene 5Romeo
Hmm, this is interesting. Romeo forgets all about his "love" for Rosaline the exactly second he sees Juliet, which makes us think that he was never really in love with Rosaline to begin with. But does this also mean that Romeo's desire for Juliet is nothing more than meaningless infatuation?
This is one of the most famous passages in the entire play, so let's take a close look, shall we? When Romeo and Juliet talk for the first time at the Capulet ball, Romeo uses his best pickup line: touching Juliet's hands and lips, he says, would be a kind of religious experience. (We've heard that before, haven't we? He used to say this kind of stuff about Rosaline.) Angling for a kiss, Romeo refers to his lips as a two "pilgrims" that would worship at a holy "shrine" (that would be Juliet's lips). A pilgrim, by the way, is a person on a religious pilgrimage to a holy place. Pilgrims were also called "palmers" because they often carried palm leaves on their journeys. In response, Juliet teasingly puns on the word "palmer" to suggest that touching hands, "palm to palm," is like kissing (so Romeo, presumably, should be content with touching her hands instead of making out). But Romeo refuses to be shot down. Instead of walking away with his tail between his legs, he uses Juliet's hands=lips logic to argue that kissing the lips of Juliet (who has reached "saint" status by this point) would be just like praying, which involves placing ones palms together. Juliet seems playfully willing to go along with all this and allows Romeo to kiss her. What's interesting is that, before Romeo can lock lips for a second time, Juliet says "you kiss by the book," which suggests that all of Romeo's moves (his pickup lines and even the way he kisses) are a bit scripted and cliché. So, Juliet's clearly smitten with Romeo but she also recognizes that Romeo isn't exactly original. At the same time, however, the dialogue between Romeo and Juliet takes the form of a sonnet (up to the point where they kiss), which is incredibly romantic. So, while Romeo's moves are a bit predictable, we can also recognize that Romeo and Juliet's romance has the potential to be anything but conventional. Juliet
Apparently, Juliet never even considers the obvious conclusion: don't date your family's archnemesis. That makes "love" sound a lot like "fate"—something you couldn't escape even if you wanted to. Act 2, Scene 2Juliet
Translation: "You hang up." "No, you hang up." "No, you hang up." "Okay, I'm going." "Are you still there?" (Do kids these days even have these conversations anymore? Or is it all texting and gChat? Someone clue us in; we're old.)
Is it just us or is Juliet beginning to sound like Romeo. Here, she uses the language of religion to describe her love for Romeo. Check out "Symbols" for more on this.
Juliet is certain that she loves Romeo but she's also a bit cautious because her love seems "too rash, too unadvised, too sudden." So, while Juliet is clearly a very passionate girl, she's also pretty smart and realizes that head-over-heels passion can be dangerous.
Romeo is eager to prove to Juliet that he loves her, while Juliet – despite the confession that Romeo overhears – is hesitant to reveal that she likes him right away. Friar Laurence
Friar Laurence makes a convincing argument that Romeo's love for Juliet could nothing more than a crush. Just days ago Romeo was crying his eyes out over another woman, the unattainable Rosaline. Now, the "salt water" tears haven't even dried yet and he's talking about a new love interest. Okay, Friar Laurence has good reason to be skeptical of Romeo's newfound "love." But, if he's so skeptical of the relationship, why does he agree to secretly marry the young couple? Well, he tells us: "For this alliance may so happy prove/ To turn your households' rancour to pure love" (2.3.87-88). In other words, Friar Laurence is crossing his fingers a union between Romeo and Juliet will force the feuding families to reconcile. But good intentions aren't enough. His meddling may not be solely responsible for the tragedy, but it's at least partly responsible. At the same time, Romeo and Juliet's love does eventually bring the two families together—but only after a double suicide. Romeo
We hear an echo of the Biblical Song of Songs here: "Many waters cannot quench love, neither can the floods drown it." Romeo just won't let up with the religious allusions—for him, love is a religious experience. (But not in the cliché way, he swears.)
In this monologue, Romeo elevates Juliet to heavenly status by aligning her with the "sun" and the "stars." Sure, he's still working with some celestial metaphors—but at least it's starting to get slightly less abstract. He even mentions her name!
Again, Romeo uses over-the-top religious language to describe the experience of looking at Juliet but we get the sense that he's sincere and deeply in love. Act 2, Scene 6Romeo
Romeo asks Juliet to use language to express the love that they feel for each other, but Juliet tells him that's the wrong approach. The love they share has grown so great that they can no longer express it. (A similar idea occurs in King Lear, when Cordelia refuses to quantify her love for her father and says that language is not capable of expressing her devotion.) Act 3, Scene 2Juliet
Talk about wedding-night jitters: this is Juliet getting all excited and nervous about having sex for the very first time, i.e. "losing" her "stainless maidenhoods." "Unmann'd blood"—get it?
Juliet is both excited and nervous about losing her virginity. She feels that her love for Romeo is so strong that it could overpower the sun. Act 4, Scene 1Juliet
All the things that used to frighten Juliet are now unimportant compared to the horror of betraying Romeo and marrying another man. Act 5, Scene 3Lord Capulet
After Romeo and Juliet are found dead, Montague offers to erect a "statue" of "pure gold" in Juliet's honor and Capulet promise to do the same for his dead son-in-law, Romeo. Although the young lovers' deaths unite the warring families and put an end to the feud (just as the Chorus promised back in the first Prologue), the efforts of the Capulets and the Montagues are a day late and a dollar short. Romeo
Death becomes an act of love for Romeo, because he thinks that suicide will enable him to be with Juliet (he thinks she's dead). Check out "Symbols" for more on this. Lady Capulet
Juliet cannot tell her mother about her true feelings for Romeo, so she expresses her feelings in veiled language that makes her mother believe she hates him.
To Mercutio, love is ridiculous and gets in the way of real life. Not only that, but Romeo's passion for Rosaline has alienated him from his friends.
After Tybalt dies, Paris is more bummed out that he doesn't have time to make nice with Juliet than that this young man has died. Gee, he sounds awfully passionate. (Not.) What is the most famous line from Romeo and Juliet?Famous Lines from Romeo and Juliet. " Parting is such sweet sorrow.” — ... . " But soft, what light through yonder window breaks? ... . “ Do you bite your thumb at us, sir?" — ... . " What, drawn, and talk of peace? ... . " My only love sprung from my only hate!" — ... . “ ... . " ... . What is Juliet's famous line?Wherefore art thou Romeo? (I. ii.) This line may be one of the most frequently quoted, and frequently misunderstood, lines in all of Shakespeare. Though Juliet is standing on her balcony, unaware of Romeo below her, the line doesn't mean she's asking where he is.
What are 4 key quotes from Juliet?Terms in this set (5). My only love sprung from my only hate! Act 1 scene 5, juliet realises that romeo is a Montague.. What's in a name? That which we call a rose by any other name would smell as sweet! ... . Shall I speak ill of him that is my husband? ... . Romeo, Romeo, Romeo! ... . There rust and let me die.. What is an example of love in Romeo and Juliet?Some characters fall in and out of love very quickly in "Romeo and Juliet." For example, Romeo is in "love" with Rosaline at the start of the play, but it is presented as an immature infatuation. Today, we might use the term “puppy love” to describe it.
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