Item — Item: 6 Show Identifier: Item 6
Scope and ContentsFrom the Collection: The collection of John Tinney McCutcheon Cartoons, 1895-1946 includes 454 original drawings by McCutcheon, most of which appeared on the editorial page of the Chicago Tribune. Subjects of his cartoons include foreign affairs, national and local political issues, journalism and the press, as well as general themes such as baseball, poverty, auto accidents, etc. National and international issues dominate after the advent of World War I. Published volumes held by the McCormick Library which contain McCutcheon cartoons include: War Cartoons by McCutcheon, Orr, Parrish [and] Somdal, [Chicago, c1942]; Cartoons by McCutcheon; A Selection of One Hundred Drawings, (Chicago: A.C. McClurg & Co., 1903); The Cartoons That Made Prince Henry Famous; and printed in the Chicago Record-Herald, (Chicago, 1902?). See the Northwestern University Library online catalog for other books with McCutcheon illustrations, including those which were collaborations with George Ade. Dates
Conditions Governing AccessAvailable for research. Copyright for materials resides with John T. McCutcheon's executor. All users must comply with federal copyright regulations. ExtentFrom the Collection: 5.00 Boxes Language of MaterialsFrom the Collection: English Repository DetailsRepository DetailsPart of the Charles Deering McCormick Library of Special Collections Repository
This World War I era political cartoon portrays the major European countries involved in the foreground. Each of them, represented by people, are pointing towards whomever they believe is the most responsible for causing the war. Most countries are pointing at Germany as it was thought to be the main aggressor in the war when it invaded neutral Belgium. The Allied powers showed this clearly when they forced Germany to give up land and pay reparations when the war came to an end with the Treaty of Versailles. However, what is in the background is a large hand that represents other countries’ views on the situation, is pointing towards an impaled body labeled “The Peace of Europe.” This shows how others think the main problem of this war is that it has killed off the peacefulness of Europe. The author’s choice to have that in the background could represent how the finger pointing and naming of names being done by the Allied and Central powers has overshadowed the real problem of peace, which is why the countries are in the foreground. The crime of the ages is that the peace in Europe died all on account of one assassination. The soon to be Austria- Hungarian leader and his wife were killed by Serbians, which triggered Austria- Hungary to take action, as well as Germany, Serbia, Russia, and eventually many more. The tangling alliances and militarism brought the rest into the war. The spider web of connections is shown in the pointing of hands. Blame cannot be placed on only one country. This political cartoon from John McCutcheon, The Chicago Tribune; H. H. Windsor, Cartoons Magazine was published by The Chicago
Tribune on August 1914. Who drew the crime of the ages who did it?From the Collection: The collection of John Tinney McCutcheon Cartoons, 1895-1946 includes 454 original drawings by McCutcheon, most of which appeared on the editorial page of the Chicago Tribune.
What is the crime of ages ww1?The crime of the ages is that the peace in Europe died all on account of one assassination, which triggered Austria- Hungary to take action, as well as Germany, Serbia, Russia, and eventually many more.
What does the hand represent in the crime of the ages?What does the hand in the upper left corner represent? Americas wrote this cartoon. The hand is reaching/point from the West (where the U.S. is) The citation shares that the cartoon was printed in the Chicago Tribune. America shares its anger at the war destroying peace.
When was the crime of Ages published?The Crime of the Ages: A Chronicle of Turkey's Genocide of the Armenians (Genocide Library, Volume 4) Paperback – January 1, 2010.
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