As attention grabbing as a flashing neon sign on the Las Vegas strip, Panic! At the Disco's fifth studio album, 2016's Death of a Bachelor, is a volcano-sized martini glass of emotive, theatrical, genre-bending pop. The first album recorded by the band since the departure of drummer Spencer Smith, who officially left in 2015, Death of a Bachelor is largely the vision of lead vocalist and founding member Brendon Urie. Inspired by Urie's 2013 marriage, as well as legendary vocalist Frank Sinatra's 100th birthday in 2015, Death of a Bachelor works as a loose concept album celebrating the end of Urie's party-hearty single life, and his creative maturation from emo-pop poster boy to self-styled rock sophisticate. Produced by Urie along with Jake Sinclair (Five Seconds of Summer, Taylor Swift, P!nk), the album showcases an even more expansive sound than 2013's Too Weird to Live, Too Rare to Die!, rife with touches of body-bumping hip-hop, Sinatra-esque lyricism, and anthemic, Queen-like exuberance. Indeed, Panic! At the Disco have never been anything less than grandiose and Death of a Bachelor is no exception, revealing some of the group's most ambitious and over-the-top productions. With Sinclair, Weezer's Rivers Cuomo, Sam Hollander (Gym Class Heroes, Metro Station, Fitz & the Tantrums), and other collaborators at his side, Urie stuffs his songs with rambunctious, Beyoncé-ready beats, laser-toned synthesizers, muscular guitars, and a peacock's array of double-tracked vocals. Thankfully, he doesn't sacrifice any of Panic!'s infectious melodicism and pop craftsmanship in the process. Cuts like the gospel-inspired "Hallelujah" and the swaggeringly cheeky "Don't Threaten Me with a Good Time," self-consciously built around the B-52's "Rock Lobster" guitar riff, are as catchy as anything Panic! has ever created. Impressively, the densely if deftly packed production does little to detract from the sheer brilliance of Urie's voice on cuts like the burnished title track and wild-eyed, post-party hangover anthem "Victorious." Urie even summons his best Sinatra-style vocal warmth on the album’s closer, the languid, stylishly world-weary ballad "Impossible Year." Ultimately, Death of a Bachelor marks the final transformation of Panic! At the Disco from egalitarian emo band to collaborative pop band headed with singular charisma by Urie the uncontested chairman. Show Celebrating 25 Years of Fueled By Ramen. The Silver Vinyl Reissue of Panic! At The Disco ‘Death of a Bachelor’ will release on March 26th. Tracklist: Pre-order items have a scheduled release date when they are initially announced. Due to unexpected changes in product production, shipping delays or other issues outside of our control (such as the COVID-19 pandemic) – please be aware that release dates and estimated arrival times are subject to change. Like the soundtrack to a wedding reception, DOAB is Panic! At The Disco turnt up, both musically and lyrically. [9 Jan 2016, p.50] All this publication's reviews Alternative Press Jan 7, 2016 80 For all of its precocious, borderline bratty moments, Death Of A Bachelor is a remarkably nuanced affair. [Feb 2016, p.95]
DIY Magazine Jan 15, 2016 80 An unpredictable but spectacular ride through pop, rock and everything in between, it’s hard not to bowled over by Urie’s efforts yet again.
Clash Music Jan 7, 2016 70 At the centre of Panic At The Disco’s best album yet is Urie himself. The charisma and eccentricity of the front man, matched by his jaw-dropping vocal acrobatics sees Urie finally become the ringmaster of his own circus.
Absolute Punk (Staff reviews) Jan 20, 2016 60 Simply put, Death of a Bachelor is exactly the hot mess it wants to be. It’s been a while since I’ve heard an album that’s so divisive in its quality, so manic on one end and so lazy on the other.
NOW Magazine Jan 14, 2016 60 The more conventional pop/rock tracks detract from his eccentric impulses and feel like compromises.
Q Magazine Jan 7, 2016 40 It's a confusing affair, where [Urie] foolishly tries to croon like Frank Sinatra on the title track and never quite nails down whatever the big idea was supposed to be. Still, there are moments to cherish. [Feb 2016, p.115] All this publication's reviews Score distribution:
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